Bright Flash Literary Review

Artwork courtesy Joanne Sala. All rights reserved.

Welcome to Bright Flash Literary Review, an online literary journal.

Submission guidelines:

Please include a brief biographical statement at the end of your submission. Submissions without bios will be declined.

Age: 18+

Flash fiction 50+ words: yes!

49 words: no!

Fiction: Up to 1500 words.

1501 words: no!

Memoir: Up to 1500 words.

1501 words: no!

Simultaneous submissions: yes! (You know the drill.)

Bio: Yes! third person; 200 words or fewer

Page numbers: no

Headers: no

Translations: no

Multiple submissions: no

AI-generated material: Absolutely not.

.docx greatly preferred over .pdf

Previously published material: NO, not even on your own blog.

Response time: 30 days or fewer

Accepted story: Congrats! Please wait six months before submitting again.

Declined story: Please wait 30 days before submitting again.

Repeated violations: BFLR reserves the right to block any writers who repeatedly violate their guidelines.

Rights: Bright Flash Literary Review obtains first Northern American rights. All rights revert back to the author upon publication. Writers are strongly advised to honor other publication’s guidelines concerning previously published work. If your piece is accepted by another journal after publication in Bright Flash Literary Review, please ask for first publication attribution to BFLR.

Payment: none

Submission fee: none

Submit below through Submittable or Duosuma. E-mail submissions are not accepted. New stories are posted at the beginning of each month.

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Talking Dirty

greek frittata on red ceramic plate

By Beth Sherman

In the supply closet of the Paramus Walmart, Jeremy takes out his phone and his father’s credit card and dials 1-800-TITS. He’s hoping he’ll get Miranda but it’s all so random. When someone starts talking, Jeremy knows right away it’s not her. This girl is older, her voice less husky. What’s your pleasure, Hot Stuff, she says. The picture on his screen is of a blond in pink panties and matching pasties, with the word Lace underneath, though their names are probably made up. Jeremy thinks Miranda’s real name could be Stacy. He pictures her living in one of those really tall apartment buildings in Ft. Lee, only a few miles from his father’s house in Englewood. Driving a Subaru, going to hot yoga. Although really, she could be anywhere in the world for all he knows. He leans against a broom. His break only lasts ten minutes and three of them are gone. Um, can you put me on with Miranda? he asks, hating how whiny and young he sounds. He told Miranda he’d die a virgin. He’s only 17, but he knows this to be true the way he knows his mother is never coming back and his father will never stop drinking. Are you there? Miranda’s a friend of mine. Now soft rock is playing. He thinks about how he never talks to any of the girls in his class, how they look right through him like he doesn’t exist. How the boys that he used to hang out with joined the lacrosse team or the school musical or debate club and barely nod to him in the halls. Last week, Miranda had said, you worry too much. Relax. Like they knew each other. The picture on his screen changes to a woman with dark curly hair and a devilish grin, covering her boobs with her hands. Probably not even her real body. Hello, says Miranda, and the fact that she’s on the other end is like calamine lotion smeared over an itchy mosquito bite. It’s me, he whispers. How are you? He hears her breathing, wonders if she likes the beach, if she goes to Stop & Shop. When she starts talking dirty, he interrupts. Let’s talk about normal stuff. Have you watched any good TV shows lately? What’d you have for breakfast? He prays she won’t hang up. Prays harder. His hands are sweaty. His poor heart a clenched fist. Just when he thinks he can’t stand the silence one more second, he hears her amazing voice. Cottage cheese omelet.

*   *   *

Beth Sherman’s novella-in-flash, HOW TO GET THERE FROM HERE, will be published in July 2026 by Ad Hoc Fiction. She has had more than 250 stories featured in literary journals, including Ghost Parachute, Fictive Dream, Bending Genres and Smokelong Quarterly, where she’s a Submissions Editor. Her work appears in Best Microfiction 2024 and 2026 and Best Small Fictions 2025. The author of five mystery novels, she can be reached on social media @bsherm36.

Marisol’s Death Plan

abstract painting

By Dipti Ranganathan

Marisol twirled around the coffee table in her red, frilled dress, skimming the glass with her bandaged knees, clapping overhead in time to the Bee Gees’ greatest hits. She reached her crescendo with a classic Travolta move and bowed. We jumped to our feet and clapped. She looked around the room, as if it were filled with adoring fans, tears in her eyes, and sighed.

“And now I die happy,” she said, bowing deeply as her chest rose and fell. I rolled my eyes and Oliver slapped my knee.

“This is ridiculous,” I said, as Marisol skipped off to pick a new song.

“Jesus, she’s only six. Leave her alone.”

“Exactly! All this death talk from a six-year-old? Where does that even come from?”

“Maybe she senses your worry?”

I rubbed my eight-month belly. “She has no reason to think that I’m worrying.” 

“Maybe she does,” Oliver said, but hesitated as Marisol bounced back into the room, her fingers wrapped around Lambeth, the Jelly Cat lemming. A strange choice of stuffed animal for a child, but that was Marisol. She shoved her way between us and rested Lambeth on her lap.

“When I am dying,” she said, “I’d like Lambeth to sit next to me. She’ll be in a fancy chair, all day and all night. We’ll listen to Bruce Springsteen, and I’ll dance like this.” Marisol swung her arms in unison from side to side in a fluid arc, snapping her fingers at each apex.

Where did this morbid obsession come from? It was not good for her, or for us. “Enough of this talk,” I said, and grabbed Lambeth, marching Marisol into her room as she tugged on my hand, crying and screaming. She sat on her bed, arms folded, staring at me, until she wiped her nose with her sleeve and slowly exhaled. Softened by her emotional control, I kissed the top of her head.

“I am calm now, Mommy. May I have Lambeth back? Please?”

I pulled her close and handed her the lemming. “Marisol, why are you talking about dying?” I asked.

“I’m talking about dying, cause I’m making a death plan.”

“I don’t understand.”

“Like your birth plan.”

“My birth plan?”

“Uh-huh. You and Daddy talk about it. A birth plan for the new baby, with music and everything. You’re going to have Daddy and maybe Grandma in the room when you go hee, hee, hee.” She let out her breath in staccato to demonstrate, as she jumped off the bed and hopped on one foot. “I’m already born, so now I need a death plan cause I’m not dead yet.”

“I see.” But I had no way of seeing. Of grasping the experiences that carved their way through Marisol’s brain. The infinite number of sounds, words, and stories that had sparked the neurons that developed the pathways that resulted in behavior that made me sad.

“Birth plans are different,” I said. “They make us happy. People don’t make death plans because they make us sad.”

“The baby didn’t have one when? Daddy said you packed up and went to the hospital, and you were sad.”

There it was. The story that had sparked the neuron that developed that pathway that created Marisol’s death plan.

“Mommy, you should’ve had a death plan for the baby.”

“The baby was just not ready to be part of our life. And you are right. We were sad.”

“But if you had a plan, your mommy and daddy and best friend would’ve been there, and it wouldn’t have been sad.”

I held her tight, rubbing my nose against her baby shampoo-scented hair. “You know the new baby is going to be just fine, right? A birth plan is all we need.”

Marisol nodded and clapped before running off to play with Lambeth. 

With any luck, Marisol, the six-year-old, would have forgotten all about her death plan by the next morning. But she had a point. How perfect it would be to die according to plan, with music and our best friend in a comfy chair by our side. How smart it would be to be prepared. A plan for every possible outcome. A kick in the belly demanded my attention. “Yes,” I replied. “A birth plan in which you get to meet your brilliant sister is all we need.”

                                                            *   *   *

Dipti Ranganathan is a first-generation Indian American whose parents immigrated to the United States in the early sixties. She has lived across the United States and currently resides in Chicago. While her formal education is in computer science, Dipti has a passion for writing stories. Her stories are rooted in experiences of assimilation, identity, and family. She was a finalist for the Glimmer Train Short Story Award for New Writers and has stories published in Old Lady Comedy Magazine and CafeLit.

The Baby We’ve Always Wanted Is Almost Here

sad clown doll in basket

By Rebecca Klassen

For nine months you’ve been eating the best things for our child. Shakespeare, Dickens, Bronte; you ate the shredded pages with chopsticks. I smashed the calculator and you swallowed the buttons and shattered microprocessor like aspirin. The mortarboard took you weeks; so chewy! Now you’re pushing and I seem… azure curls, a tomato nose, pink cheeks, a rainbow two piece and flower brooch on our tiny baby’s lapel. The enormous shoes are your hardest push. He’s out. With white-gloved fingers he squirts us with water from his flower brooch, honks his nose, and we reach for him together, laughing so hard. 

                                                                   *   *   *

Rebecca Klassen is fiction editor of The Phare and lives in Gloucestershire. She won the London Independent Story Prize and was shortlisted for the Bridport Prize and the Alpine Fellowship. Her stories have featured in Fictive Dream, Mslexia, Flash Frontier, New Flash Fiction Review, Baltimore Review, and on BBC radio. 

Falling

man wearing white crew neck shirt

By Meg McGovern

11:00 pm. I am in a deep REM sleep when the light from my phone startles me awake.  His name scrolls across the top. I fumble to grab it, my voice course, “What’s the matter?” 

“I’m in the hospital, Mom. I had a bad rock-climbing fall…about 20 feet down. The ER is running tests, but no head injury.”

I’m holding my breath while he talks. With his words, no head injury, I breathe out. “I broke a big bone in my arm and I’m in a cast from fingers to shoulder.” The tears are pooling in my eyes; my heart is beating rapidly. This boy of mine is taking years off my life.

“Oh my God, Pete. What happened?”

“Mom, I’ll fill you in tomorrow. I’m waiting for more tests. I need surgery, probably screws and a plate. I’m okay,” he says trying to reassure me.

Lying in bed, my mind goes to a dark place, the thought of losing my son, even though he has survived this fall. This is not the first time the phone has rung with news of an injury. The time when Peter was skiing in Vermont. His friend’s mom called to say Peter landed a ski jump on his side and fractured his collar bone. It was bad, she had said. That was his third collar bone break, the first two from playing football. There was the call when Peter was living in Utah, skiing at Alta every day, when he jumped off a cliff, landed with a ski pole to the side of his nose. The result a concussion, and a severe break needing surgery. 

I roll from my side to my back, to my side again for the rest of the night, dozing here and there, but my thoughts and worries keep waking me. I think about our mother-son bond. Peter and I can read each other’s emotions. We have deep conversations about life, what’s on our minds, hopes and dreams. I know people who have lost sons or daughters to cancer, to suicide, to accidents. How does a mother go on without that ripping her apart? Years ago, I asked my friend whose son had a diving accident and became a quadriplegic, how she went on. She said, “I have to, and you’d do the same.” 

Am I that strong? I wondered. With each of Peter’s injuries I talk to a higher power and plead to keep him safe.

Peter calls back at 8:00 a.m. He was up most of the night having CT scans and more x-rays. Surgery for his broken Ulna bone, the longest bone in the forearm that connects the wrist to the elbow, is scheduled for 2:00 pm that day. 

“Tell me what happened, Peter.” As he spoke, I imagine the scene with my son falling like a meteor from the sky.

“My buddy and I were rushing to get down the rocks before dark. We made mistakes. We forgot to knot the rope. I was belaying down, and the rope went through the hook instead of catching. I felt myself falling and falling, then landing hard on my back and hitting my head. Ry tried to stop my fall, and he saved me from something far worse.”

“Geez, Pete.”

“There was blood gushing like a geyser from somewhere. Ry checked my head, legs, then arms. It was my left arm. He tied a shirt around my bicep to make a tourniquet and called 911 to meet us at the car, 1 mile out. Ry helped me out of the harness and my climbing shoes, put on my Bedrock sandals and we hoofed it out as fast as we could. The ambulance was there and took me to the hospital. It could have been so much worse, Mom.” His voice crackled, I used to think I was invincible.”

My voice crackled back, “None of us are, Pete. You have a guardian angel who knows I couldn’t go on without you, and you have a full life to live.”

                                                            *   *   * 

Meg is an author, speaker, and retired teacher. She authored We’re Good, The Power of Faith, Hope & Determination. Other writing can be found in Brevity and Five Minute Lit. She earned an MFA in Nonfiction Writing from Fairfield University. Her memoir, Shifting Places, was a finalist for the 2023 Fairfield University Book Contest. She and her husband retired in New Hampshire to be near the lakes and mountains. Aside from reading and writing, Meg loves to swim, kayak, hike with her dog, ski, and spend time with her husband, sons, their partners, and her 2-year-old grandson.

https://linktr.ee/megmcgovern

The Last May

vibrant pink azalea flowers in sunlight

By Toby Hecht

Before the family doctor, the radiologist, the surgeon, and the oncologist informed her in sober tones of the worst, she had already suspected, as many people in her situation do, that it was time to get her affairs in order. She began taking photographs of the blazing magenta azaleas, the feathery white rhododendrons, and the fragrant lilacs that grew along the fence dividing her property from her neighbor’s. They were her favorite May-flowering shrubs, and before they handed attention over to the less noble petunias and zinnias of the summer, she wanted to make sure she had a memento to look at during the months that would follow. She was a practical woman and knew what to expect. It was doubtful that she would see another May. But at least she would have the pictures in the difficulties of December, and their beauty would give her peace.

                                                                       *   *   *

Toby Tucker Hecht is a writer and scientist whose short stories have been published for over 25 years in both print and online literary journals, including Bright Flash Literary Review, Epiphany, The Baltimore Review, The MacGuffin, Summerset Review, and Blue Lake Review. A native New Yorker with a rather traditional life, she writes fiction to probe lives more interesting than her own. She is now working on a story collection and a series of linked stories. Many of her previously published works of fiction can be found (for free) on https://tobythecht.substack.com.

Pick of the Litter

abstract geometric shapes in black and white

By Devin James Leonard

Spread across the table lies a machete, an ax, a knife, a pistol, a baseball bat, a can of gas (I assume it comes with a lighter or matches), and piano wire for strangling. Aside from the gas can, everything sparkles as if they are brand new.

The options are endless, and lucky for me, I get the pick of the litter.

The choice is quite easy. I’ll take the pistol and I waste no time saying… well, indicating so.

Since I’m bound and gagged, I nod my chin and grunt, hoping my captor understands how I choose to die.

                                                            *    *   *

Devin James Leonard’s tales often take place in rural, blue-collar settings, featuring working-class characters who go to great lengths to avoid legitimate work. His writing has appeared in over fifty magazines and anthologies. His debut novel,The Buddy Snatchers, acquired by Crystal Lake Publishing, is set for release October 9, 2026. You can find his publications on Instagram @devinjamesleonard

Maggie and Sam in Central Park

golden koi fish swimming in tranquil pond

By Townsend Walker

Maggie met Sam, a four-pound golden carp, at The Lake in Central Park near Strawberry Fields. The day had been blistering. She sat under the willow tree where the reeds grew, took off her sandals, slipped her feet into the cool water.

Sam saw painted toes dangling in the reeds, toes painted red and yellow and blue, toes like he had never seen. The closer he got to them the more fascinating he found them and the closer he got to them Sam figured, “Why not nibble?”  He nibbled and Maggie was tickled. Sam heard her laugh. He did it again. She looked down, saw Sam, golden Sam, grabbed him and sat him in her lap. 

They spent most of the afternoon fooling around under the tree and in the pond until it was time for Maggie to go home. She couldn’t bear to leave Sam. She said, “Sam, my golden man, you stay near, I’ll be right back with a tub for you.”

Sam, an obliging type, nodded his head, said, I sure will, sweet Maggie.”

Maggie ran down 72nd Street, found a tub at Gartner’s Hardware, filled it up with water, found Sam just where she’d left him, flipped him in, hailed a cab, fixed the tub in a cab, fixed it so it wouldn’t spill, and took Sam back to her apartment on 24th Street. Her bathtub was his room for the night until they could devise something so the two of them could be closer.

Maggie built Sam a tank next to her bed and one in the living room, and one in the kitchen. Sam had music piped in, turned out he fancied opera, Verdi, something to do with the color of the waters he grew up in. Sam also fancied the British groups of the sixties. Something for him to do while Maggie was out at work. Unlike life pre-Sam, no after work social life for Maggie now. It was, “Sorry, my cousin is visiting from the Coast.” After a while her co-workers became a bit suspicious “When we going to meet this cousin of yours?”

“Oh, I don’t know, he’s very shy,” Maggie said.

Sam and Maggie ate together, she bought bugs for Sam, burgers for herself, never fish, though she fancied it a lot before Sam swam her way.

Just before they went to sleep Maggie would bring Sam into her bed, lay him between her breasts and let him wiggle down her body. But try as she might, Maggie could not get Sam to understand the basics of what she wanted him to do. Never quickly enough. Just before Maggie’s magic moment, Sam would start gasping. Out of the water too long. Clearly this is not what Maggie had in mind. 

They had a talk. Sam had the answer. “Why don’t we do it in the tub?”

*   *   *

Townsend Walker draws inspiration from cemeteries, foreign places, violence and strong women.  No One Sleeps,”  a short story collection, Atmosphere Press, forthcoming 2026.

“3 Women, 4 Towns, 5 Bodies & other stories,” Deeds Publishing, 2018. Winner of a Book Excellence Award, a Silver Feathered Quill Award and a Pinnacle Award.

“La Ronde,” aka “Get Madge a Gun,” a novella of linked stories, Truth Serum Press, 2015

Over one hundred short stories and poems published in literary journals and anthologies.

Two nominations for the PEN/O.Henry Award.

Teaches creative writing at Mount Tamalpais College on the San Quentin State Prison campus.

Website: https://www.townsendwalker.com

The Pink Scarf

unrecognizable woman in headscarf in car

By Hilary Hersh

Laura turned the corner and her eyes rested on the navy blue awning of her building just down the block.  That almost-home feeling was a balm for both her body and her mind. Today, the walk had been especially tedious, as her legs, exhausted from standing in the classroom all day, felt leaden, while echoes of her middle school students’ complaints were ringing in her brain. She tried to shove that memory of bedlam out of the way and replace it with an image of herself standing at the fridge pouring a glass of crisp chardonnay. Ah yes.

But as Laura reached her building, she caught her reflection in the glass door and at once felt her gut cramp into a ball. The scarf.  It was gone.  Her hand flew to her neck as if she could not trust her eyesight and had to touch the absence to believe it. Bare skin. Her mother’s scarf — not there? 

Her eyes darted down the block to the corner where she had just turned. But all she saw were a couple of plastic grocery bags circling in the breeze like carefree children twirling just to get dizzy. She sighed deeply. “This is not happening,” she griped aloud. It had been a long week, and it was only Wednesday.  Couldn’t she catch a break? 

As she hastened to the corner, she recalled that during the walk home she had unzipped her jacket and loosened the scarf because of the unexpectedly warm February afternoon. The mere hint of spring had switched her thoughts from the day’s frustrations to the options she’d been considering for spring break in April, which helped distract her from the drudgery of the walk. But now she cursed herself for getting so lost in her thoughts that she let the scarf slip off along the way without noticing. “What is wrong with me!?” she exclaimed, prompting raised eyebrows from a woman walking her Maltese nearby.

But surely, Laura thought, someone would have seen a long pink scarf float off behind her like an oversized exquisite butterfly and come running to retrieve it. Or at least capture her attention so she could get it herself — as in:  “Excuse me, miss, I think you dropped your scarf.” Any decent person would have done that.  She herself helps people all the time — maybe even once or twice a month. She felt like crying out in frustration: “Are there no considerate people left in this world?!!” But she just gritted her teeth and moaned as she reached the corner and peered down Columbus Avenue.

 Nothing. There was nothing resembling a scarf lying on the sidewalk. Laura sighed and resigned herself to the task ahead of retracing her steps down the avenue.  And so she began walking, walking and walking like Dorothy on the yellow brick road — but not the part at the beginning of the movie when she is skipping along like a fool; more like the part when she’s chased by the wicked witch’s flying monkeys.  

Laura was scanning the ground right and left, back and forth, till her neck began to ache from the repetitive movement.  She glanced at passersby, suspecting each one of absconding with her treasure, and even made quick assessments of their bags for a bulge or a flash of pink.

A thought bounced into her head:  Did she actually wear the scarf to work that day or was it yesterday? Yes, of course she had. “It was my mother’s,” she’d proudly told several people who  complimented her on it.  With that news, some took a closer look, noting the intricate designs of light and dark pink flowers, leaves and graceful stems. Laura’s mother had worn it so often that whenever Laura pictured her mother in her mind she always saw her with the scarf elegantly draped around her neck and shoulders. It seemed to go with everything she wore. Laura had no idea where her mother had bought the scarf or whether it had been a gift from her father or a friend. Why hadn’t she asked? Now, with her mother gone since the fall and her father having passed five years before, that bit of history was lost. Most likely, however, she had bought it herself since she had an impeccable sense of style that Laura had always admired. This morning, Laura had decided to wear it, thinking that maybe some of that style would rub off on her.

When cleaning out her parents’ apartment a few months ago, Laura found the scarf in a top dresser drawer, folded neatly with the kind of care her mother took with all her clothes and accessories. The kind of care she took with her friends. Careful with feelings. Caring to think about them, to listen to their troubles. Laura’s troubles. It was the key word Laura chose in writing the eulogy she had delivered with a trembling voice at the funeral. 

Caring. Not care-Less, the way Laura had always been. The word her mother had often used in reproaching her teenaged daughter. And she had been right. Laura always seemed to be making mistakes that could have been avoided with a little more thought — like today. She scolded herself.  She was 31. Would she ever learn? Was this just who she was and that would be that? 

She continued intrepidly down the street, revisiting all the usual landmarks of her walk to and from school. The shops along the 81st street block, the row of benches in front of the museum, the stationery store, the bakery, the restaurants, all dissolving inexorably into the shadowy dusk that was now filling the crevices of the city. At 78th street, Laura crossed to the other side of Columbus Avenue, where she had crossed before, scrutinizing puddles, searching under nearby bushes and trees, and even squinting to venture into the eyes of bench sitters. What did they know? she thought. 

She was haunted by the idea of returning home and opening the door of the closet to see the brushed nickel hook where she hung the scarf. The vision felt like grief. So she kept looking, even as the encroaching evening covered the city with a gray filter.

Finally, Laura reached the cafe where she remembered having loosened the scarf. There, she stopped and sat on a bench to gather her thoughts and her blustery emotions. She found herself wondering why she’d kept the scarf after her mother died. After all, it was just an object like the blouses, dresses, and suits Laura had so readily hauled off to Goodwill. But the scarf was different. It shielded her from forgetting. With her work, dinners out with friends, the mere passage of time, Laura was afraid that recollections of her mother would recede and disappear.  Perhaps her mother would visit unexpectedly in dreams and memories lit by a random spark. But, the scarf was something real. Something her mother had touched and treasured.  

Losing it was like losing her all over again. Why would she have even taken it out of her apartment?  

Laura bent over, setting her elbows on her knees and her head in her hands. She closed her eyes and breathed in the evening air. It was time to stop. Time to go home.  She was hungry and tired and ready to give up and persuade herself that a thing was not worth grieving over.  Opening her eyes, her first sight was her lap and knees. And then she saw it: a corner of pink material peeking out of the bottom edge of her blouse. “Whoa!” she shouted into the night. Grasping the wedge of fabric, she tugged and out streamed the scarf.  It had somehow slipped underneath her blouse and had been there the whole time. 

Relief flooded through Laura’s lungs and she laughed out loud. While feeling foolish, she also felt immense gratitude. Folding the scarf gently, savoring its silken warmth on her chilled fingers, she placed it in her bag and snapped the bag closed. As she walked home, she could see her mother in her mind’s eye, smiling, the scarf wrapped around her shoulders like a hug, the pink hues bringing out the pink in her blushing cheeks. And she was saying, “Thank you, darling. Thank you for taking care of me.”

                                                                           *   *   *

Hilary Hersh is a journalist and has worked at several publications in New England and New York City.  She also has worked as a teacher in several grades, most recently middle school English. She is the author of “The Vulture Investors, The Winners and Losers of the Great American Bankruptcy Feeding Frenzy.” A Vermont native, she finds inspiration for stories and poetry in the Green Mountains as well as in the teeming streets, lush parks and gleaming rivers of the city.

The Retired Men’s Maintenance Club

clothes in a washing machine

By Chris Cottom

It starts when my washing machine goes on the blink and Neville next door insists I use his. 

He looks my sad bundle. “Only half a load?”

“I struggle to fill it … nowadays.”

“Same here, mate.’”He touches his hand to my shoulder. “Aww, Helen will be looking down at you.”

“Yeah, telling me to sort my darks from my lights.”

“Talking of which, mind if I pop in some of mine?’”

“Sure. No skin complaints, then?”

“Well, I’d prefer buffed and bronzed to grey and saggy.”

“Ha ha. No social diseases?”

“It’s been a long time, mate. A very long time. Now, tea or coffee?”

Soon there are four of us, all widowers from the cul de sac, doing back-to-back loads while we put the world to rights. We don’t always have enough washing so we do a card for the village shop and next there are ten of us, starting early, making lunch together in one another’s houses.

Turns out Ken had been an electrician. We’ve nodded at each other for twenty years, never really spoken. 

He claps his hands. “Repair club on Saturdays? Toasters, dodgy bedside lamps?’”

“We could sharpen garden tools for people,’”Neville says. “Maybe do a bit of gardening.”

We get an A5 flyer printed, pop it through every letterbox, walking round in pairs. 

We get so busy we all chip in to fund a part-time administrator, an unemployed lad from the estate, teach him about workflow management. Being a whiz on computers, Isacc’s soon sorting out people’s apps and laptops, so we introduce a small charge, move him to full-time, hire his sister Chloe to do the admin. 

On a weekend in the Lake District, we build a raft which we paddle across Windermere, form our community interest company over dinner in The Lazy Trout. We take our muddy-streaked kit to our first board meeting at Neville’s, agree that laundry at every meeting will keep us rooted.

After a morning looking at KPIs for Quarter Two, we sit down for lunch while the washing machine shudders through its spin cycle. 

“Busy, busy,”I say.

“Too busy, really.”

“I miss the old days. Sitting around, jawing.”

“Me too.”

“Can’t stop now. People depend on us.”

We agree to ‘kick ourselves upstairs,’ call ourselves advisers, hand the business to Isacc and Chloe, help them recruit a string of apprentices. 

I follow Neville out to the kitchen, help him with the coffees. 

He laughs. “We’ll make sure we get priority washing machine repairs. Listen to the racket this one’s making.”

“Tell me about it, mate. Helen always used to say we could hear it from our house.”

                                                                 *   *   *

Chris Cottom is a recovering insurance copywriter with recent work in Banshee, Barrelhouse, Fictive Dream, matchbook, New Flash Fiction Review, New World Writing Quarterly, Orange Blossom Review, The Broadkill Review, The Good Life Review, and elsewhere. Catch him pedaling around Cheshire, UK, and at chriscottom.wixsite.com/chriscottom 

At the Door

dog and a cat lying on snow

A Memoir by William Mann

I bought Maggie from a local breeder when she was eight weeks old. She was a German Shepherd, and for the first year she chewed through two leashes and a section of baseboard in the upstairs hallway. Then one evening a man came to the door selling something, and she stepped in front of me, head low, hackles raised, and stood there without making a sound. He left. After that I stopped worrying.

In 1982, we bought a small house, generously termed a “fixer-upper,” in Lakeport, New York on the east end of Oneida Lake. Close enough to the water that breeze from the lake moved the curtains. Max was eight and Tony was five, and they were a handful. The turtle had been my idea. Something low-maintenance, easy to care for. The boys pressed their faces to the glass of the aquarium for about a week before they lost interest entirely. So when a co-worker mentioned that someone at the warehouse was giving away a litter of kittens, I drove over on my lunch break. I came home with a cardboard box full of orange tabby, and the moment I set the box down on the kitchen floor, he came out snarling. A scrap of a thing, maybe two pounds, stripes down his sides and a white patch at his throat. Ears flat, mouth open, every claw he had flashing. He backed against the cabinet and hissed at the room and took a swipe at my hand. We named him Jake. Maggie was about two by then.

Maggie met Jake later that day. She walked straight over to him and got a swipe at her nose. Jake had left four little trails of red blood, easily recognized against her black nose. She didn’t even flinch. She just lowered herself down and wrapped both front paws around  him, ignoring his struggles, and pulled him to her chest. He went after her with everything he had, clawing at her face, biting her ears, hissing. She tucked her chin over the top of his head and licked him. I stood there with my hand on her collar in case. After a while, the hissing stopped. Then the clawing. Then there was just Maggie, licking the top of Jake’s orange head, and Jake, purring. I let go.

After that, Jake slept curled against Maggie’s chest every night, and she cleaned behind his ears the same way she would have cleaned a puppy. If he wandered to another room, she’d get up and follow.

He figured out the household on his own terms. He’d ambush the boys from the top of the refrigerator. He’d wind between Chris’s ankles while she stood near the stove. At night, he’d jump up onto the back of the couch while I watched TV and set his chin on my shoulder. I’d feel the slight vibration of his purring against my neck. I never changed the channel without wondering if I was interrupting something for him.

As Jake got older, he started marking the furniture. I scheduled him to be neutered and didn’t think much more about it. The night before the appointment, I let him out before bed. An hour passed. I checked the door. Maggie was already there, sitting next to it as she always did when he was outside. I told myself he’d found a female somewhere, or gotten into it with another tom. I went to bed. In the morning I came downstairs and Maggie hadn’t moved. I called the vet and told them we wouldn’t be coming in.

Later that afternoon, a neighbor came to the door. She said she’d found a cat on the side of the road. Orange tabby. I walked the road twice, calling his name. The second time I came back, Max was standing on the front porch watching me come up the driveway. I shook my head and he went inside. I could hear Chris in there, and then Tony starting to cry.

When I went in, Maggie was at the door. Not lying down, not pacing—just sitting there square on her haunches, ears up, nose an inch from the gap at the bottom. I put my hand on her back and she leaned into the door a little harder. I stayed there with her for a minute, then went and sat down in the kitchen. Around midnight, I moved her blanket over from the living room and set it next to her. She didn’t look at it. I turned off the lights and went upstairs. At three in the morning I came back down for a glass of water. She hadn’t moved an inch. 

She stayed like that through the next morning, then the next. When I came downstairs she’d turn and look at me, then turn back. I filled her bowl and set it next to her. I put fresh water down. Neither moved. One morning I fried bacon and stood at the stove waiting. She didn’t come. I walked the plate past her on my way to the table. She didn’t lift her nose. Chris watched me scrape the extra strips into the trash and said to give her time. 

By day four, Max rolled a tennis ball across the kitchen floor toward her. It bumped against her front paw and stopped there. She didn’t look down. That evening, I clipped her leash on. I tried to do our usual loop around the block, but she kept pulling back toward the house, checking over her shoulder the whole way. When I unclipped her at the door she went straight back to her spot. I moved her food bowl next to her before bed. In the morning it was right where I’d left it. 

I fried chicken thighs and held one close enough that the grease left a mark on her snout. She turned her head. I cupped water in my palm and held it under her mouth. She licked my hand once, then looked back at the door. The next day I drove to the grocery store and bought sirloin tips. I cut one into cubes at the kitchen counter and carried the cutting board over to her. She turned away, flattened her ears and looked at the floor.

That night after Chris and the kids went to bed, I sat down next to her on the rug with the bowl between us. I picked up a cube and ate it. She looked at me, then back at the door. I ate another one. The clock over the stove moved. Her ribcage rose and fell. I sat there until my back stiffened and the kitchen got cold.

On the seventh morning I sat down next to her and didn’t say anything. I picked up a cube and ate it. Then I picked up another one and held it out. She looked at my hand. She looked at the door. She looked at my hand again. Then she leaned forward and took it off my fingers, so carefully I barely felt it go. I held out another one, and she took that too. I kept my hand low and steady. She kept eating until the bowl was empty. When it was gone she stood, drank from her water bowl in long slow pulls, then walked a few feet from the door and lay down. Not at the door. I didn’t move for a while. Eventually I reached over and put my hand on her side and felt her breathing slow.

After that, when someone came to the door, Maggie would stand up and walk over, but she’d stop a few feet short and just look at them. She’d hold still while they reached down to pet her. Her tail hung.

A few years later we sold the house and moved to Cicero, on the other end of Oneida Lake. The new place had a fenced yard. I picked up a beagle puppy from a hunting buddy and brought him home. We named him Jake. No one in the house asked why and no one explained it.

Maggie wanted nothing to do with him at first. He’d bite at her back legs when he wanted her attention, or grab her tail and pull until she learned to sit on it when he was nearby. But after a few weeks she started following him around the yard. In the afternoons, when he’d finally worn himself out and gone still, she’d put her head down on his side. She was gentle with him the same way she’d been gentle with her Jake.

When he was asleep she’d get up and go to the back door. She’d stand there with her nose to the glass until her breath fogged it over.

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William is a novelist and essayist whose work explores memory, landscape, and the quiet bonds that shape a life. Born in upstate New York, he now travels full‐time with his wife and their dogs, writing from the road and gathering the stories that become his work.