Children From The Sky

children playing with kites at sunset in cambodia

By Lolidoe

Children everywhere.

On the roads, under bridges, in shops, in restaurants, in schools. 

How did they get here? 

Where are their parents?

 Oh….there they are.

 When we arrive, we receive food and a bath from these giants here every three days. Gosh! We

stink! They wrinkle their noses but still wash us anyway. They do this over and over till we can 

see and  walk properly.

 Then they stop.

 But that’s ok. It’s not really their jobs. They were just helping till we were big girls and boys. 

I am five now.

 So I am a big girl.

 Yayyy!

 What do we do now at our shiny new age you ask?

 Hmm, there is a lot. We go into the big buildings and hold the legs of one of the giants, the one 

in white and black holding  big plates and say “Food, please.”

Sometimes they look down at us.

Sometimes they don’t

Sometimes the giant calls another giant to carry us.

 Ahhh…. food is coming, I can’t wait. My legs feel wobbly and the room is starting to go round 

and round. I think I see stars. 

 Wait a minute.

Why are we going out of the big building? 

Oof! My butt!

 The giant put me on the floor hard. Hmm. How rude. 

Let me go to the other big building then. Maybe if I skip in they will give me food.

 Skip, skip…nope. 

If I continue doing that I will fall down and not get up.

Oof, they put me on my butt again!!!

Why did they do that? Did I do something wrong? 

What do I do now? I’m so hungry.

Sniff… sniff…

 “Little girl, don’t cry. I will give you food.”

I look up.

 Aww an angel giant. Whoopie!

 I give him my hand and we walk to a huge metal box with wheels. The giants call it…um…Oh. I forgot. 

Anyway we climb inside.

It makes a fun sound.

 Vroom! Vroom!

I clap my hands.

 “More! More!”

 The giant smiles and does it again. 

This is fun! 

The box begins to move. Everything outside starts to run away. 

 Food! Food! Food! I start to say in my little voice.

We stop at a big building.

 We go inside.

 We meet the giants inside. They are smiling at me really wide. 

They put me on their lap and begin to sing to me. I like the song. 

“More! More!”

 “Ha! Ha! Ha!” laughs the giant. “Do you want to see something fun?”

Yes! But wait a minute. I thought they were giving me food. Oh well. Maybe they will give me later. 

The giant brings out a toy and tells me to play with it. I play with it and he starts to get really 

happy. He makes a weird face when I finish playing with it. Did I hurt him? I don’t think so he

 looks just like I do when I have eaten and my stomach is nice and full. He pats me on the head and calls me a good girl.

Yayyy! I’m a good girl! 

When we leave, he takes me back to that big building where he found me.

Phew. No more giant-leg-clinging.

Anyway…

On to more adventure!

Oh?

Something is falling from the sky.

No. A lot of things are falling.

What are those?

Why do they look so familiar.

Let me go have a closer look.

Hmm. I still don’t know what they are.

But they look familiar though.

Let me think really hard.

Gasp!

Are those…babies?

Why are they falling from the sky?

Is that where… they come from?

Nope. I must still be hungry that’s why I am seeing things.

I walk away with my hands behind my back.

But then I stop walking and turn back again.

Hmm… they are crying.

That’s for the giants to figure out.

*   *   *

Lolidoe is an emerging Nigerian writer interested in exploring themes of innocence, neglect and perception through flash fiction.

The Redhead

woman with long hair shaking her head

By Sandra Thom-Jones

David fidgeted with the stem of his empty wine glass and glanced anxiously at the front door of the restaurant. They had been dating for three months but he still wondered every time whether she would show up, whether she would actually want to sit and have a meal with him. Not that he was sure ‘dating’ was the right word for it, as they only ever met in secret. She said dating people at work wasn’t allowed. Margot, their boss, had never mentioned this rule to David but perhaps that was because she assumed none of the glamorous models would ever consider dating him.

Morgan stopped briefly in the lobby and checked her lipstick in the mirror. As she did, she steeled herself for another boring evening with David. Three months since she first asked the little troll out for a drink and her plan seemed no closer to fruition. She had been so sure that this insipid little man, who somehow had Margot’s ear, would be the key to overcoming the one barrier to her well-deserved stardom. But after eleven dates, in response to every top client request, Margot booked ‘the other’ redhead; Sylvia, her nemesis.

David beamed as Morgan flounced into the restaurant, turning heads in her body-hugging violet pantsuit and black leather boots, with large boho floral bag hanging elegantly from her left shoulder. He stood up and pulled out her chair.

“You look spectacular, my love,” he said.

Morgan resisted the urge to flinch and instead gave him a stunning smile and a quick kiss on the cheek. The smile had been easy to produce when she noticed his briefcase on the floor beside his chair. Morgan knew what was in that briefcase, and that was why she had been so eager to meet for dinner this evening. She had been in the dressing room changing back into her street clothes following a painfully demeaning photoshoot for a cat food commercial and had heard David on his mobile phone through the window. It was unusual for him to take work calls outside and she could only hear snatches of conversation, but she heard enough: “Yes, as we discussed…Redhead…$5,000…bring the paperwork this evening.”

When she called him a few minutes later, ‘just to say hello,’ she asked if he had any bookings for her and, of course, he said “no.” That was when she suggested this early dinner.

Morgan knew it wouldn’t be long before David needed to go to the bathroom, a combination of nervous energy and too many glasses of water while she kept him waiting for her arrival and she was ready. As soon as he left the table, she snapped open his briefcase, pulled out the manila envelope, slid out the glossy 8×10 photograph of Sylvia with her address and bio on the back, and replaced it with her own.

The next morning David tuned his radio to the morning news and listened to the story he had been waiting for: “Breaking News: unnamed model found shot dead in her apartment.” After he had vomited up his toast, swallowed his guilt, and wiped his mouth, he imagined the smile on Morgan’s face when she heard that Majestic Models now had only one redhead on its books.

    *   *   *

Sandra Thom-Jones is an autistic author, researcher and advocate living in Melbourne, Australia. Her books include Growing in to Autism (2022; 2025), Autistics in Academia (2025), and Autistics at Work (2025). In 2023 she left a career in university leadership to focus on writing fiction with autistic characters, including a (hopefully soon to be published) novel about an autistic woman, a cat, and a few dead bodies. Sandra was the winner of the 2025 Scarlet Stiletto Award for short crime fiction; and in 2023 she won the Scarlet Stiletto third prize as well as the Liz Navratil Prize for the Best Crime Story with a Disabled Protagonist. Her short stories have been published in several anthologies. She also writes for a range of outlets on the autistic experience and contributes to public discussion on autism and creativity. 

Exotic

hands of a person eating meat from a plate

By Patty Panni

Chloé wandered through the produce department at Sprout’s, seeking dinner inspiration among the cauliflower and apples. Richard’s parents were coming over for dinner. His dad Larry was fine, but after three years of marriage she still wasn’t quite sure where she stood with Janice. 

She selected some lemons, remembering the last time her in-laws came for dinner. She had worked hours on her Coq au Vin, paired it with a good Pinot Noir and crusty bread. And crème brûlée for dessert. Larry had eaten every bite and pronounced it delicious, but Janice had only eaten the salad. “We’re not used to rich food like this. I’m just a simple cook. This is quite … exotic.” 

It was crazy how much weight a single word could carry. It hung in the air afterwards, sounding more like a slur than a compliment. She had cried in Richard’s arms that night. It hadn’t been the first time her mother-in-law had brought her to tears, nor the last. So why did she still crave Janice’s approval? 

She blew out a breath and selected some pears. She could poach them in red wine with a reduced syrup and marscarpone. No, that screamed Exotic. She would keep it simple — baked spiced pears with a drizzle of honey. It would pair well with roasted chicken and vegetables. 

She selected a bouquet of peonies and alstromeria in shades of cream and rose, then headed to check out. While waiting, she reviewed her to-do list. She still needed to straighten the living room and clean the guest bath, which she could do while the chicken was roasting. She hurried home with her groceries and set to work.

Richard came through the door, loosening his tie and telling her the house smelled amazing. “Nothing I like better than coming home to you.” He kissed her, then danced her across the room. 

Chloé arched an eyebrow and said, “We’ll finish this dance, later. But you need to go change. Your parents will be here soon.” 

He groaned, then kissed her ear. “Tell me again why we invited them?”

“Because you’re their son. They want to see you.”

“Us, honey. They want to see us.”

“Yes, yes. Us. Now go!” She swatted his backside as he turned to leave, then returned to the pears. She peeled and halved them and placed them in a baking dish, then added cinnamon, nutmeg, and chopped walnuts. She put them in the oven to bake. 

When the doorbell rang, Richard answered it. “Mom, Dad! Good to see you. Come in!” 

Larry kissed her on the cheek. “You look lovely, my dear.” Janice swept in on a cloud of perfume and curiosity. She followed Chloé to the kitchen. 

“Can I help with anything?”

“No. Dinner’s almost ready. Why don’t you go sit by the fire? Richard’s been looking forward to seeing you.”

“Yes.” Janice turned as if to leave but then lingered. “Chloé, I—I wanted a word with you.”

Uh oh. “Yes?”

“I—” Janice hesitated, then said in a rush, “I just wanted to thank you. For making my son happy. We’re — I’m — glad you’re in our family.”

Chloé felt her features relax. “Really? Thank you. Richard makes me happy as well.”

“As it should be. Now, please. Let me help with something.”

“All right.” She handed over the platter of chicken and veggies. “Can you take this to the table?”

“Of course. It looks delicious.”

As she turned for the basket of rolls, Chloé blinked away sudden tears. Janice had done it again. Made her cry. And for once she didn’t mind at all.

*   *   *

Patty Panni lives and writes in Memphis, TN. Her love affair with words began with a teacher who read Beverly Cleary and introduced her to a motorcycle-riding mouse. After a career spent at law firms and in international adoptions, she now spends her days writing, cooking, and pampering the cat, the dog, and the husband.

Patty is an active member of WFWA, Deadlines for Writers, and Pitch to Published. She enjoys writing fiction and poetry, and is querying her first suspense novel, set in the grim world of human trafficking. 

 

Aftershock

destroyed buildings after earthquake

By Floyd Largent

“Look, it’s been a week since the quake. When are you people going to leave me alone?”

“Please bear with us, Ms. Asano. Things are still in turmoil. A hundred billion dollars’ worth of damage to Los Angeles County alone. Sixty thousand buildings damaged. Tens of thousands homeless. Fifteen hundred dead.”

“I know. I was there. I experienced the worst thing a survivor could possibly experience.” 

“Did you, Ms. Asano? Did you really?”

“Of course I did! I saw my twelve-year-old nephew die! How am I supposed to live with that?!”

“Calm down, Ms. Asano. Sit. Sit down. We have a few more questions, and this time you’re going to answer all of them.”

“I just want to be left alone.”

“Maybe after we’re done here. After we clear up a few details.”

“Right.”

“Now, take us through what happened on the 28th of this past month.”

“All right. Fine. I was taking Shane out shopping for his birthday. He was turning 12. He’d been cranky all day, and he was acting up again. As we were passing the Leopold Building, I mentioned that they had this great observation deck up on the 39th floor where you could see the whole city. He likes things like that. I mean, he liked things like that. Anyway, I thought it might calm him down. So we went up there, and used those telescopes they have where you put in a quarter to look out over the city for five minutes. I was looking at the Griffith Observatory when he said, Hey, check it out! I looked up, and the brat was sitting on the top rail of that protective fence, or guardrail, or whatever you call it. Right where he shouldn’t’ve been, as usual.” 

“As usual? Did you know he would do that, Ms. Asano?”

“No, how could I? But I wasn’t surprised. Shane was fearless. It was just like him to do something like that.”

“What happened next?”

“Well, I started yelling at him about how his mom would kill me if he got hurt, and he just laughed at me. So I climbed up on that ledge the guardrail was imbedded in and grabbed his right arm with my left hand. I was holding onto the rail with my right hand…”

  “And then?”

“That’s when the quake hit, and Shane started to fall. He grabbed my left arm with both hands, and as he fell, my arm got yanked down onto the rail, and he broke both the bones in my forearm. See the cast? Anyway, I grabbed his hands with my right hand, too. But Shane was a big kid, you know, heavyset for his age, and we were both pretty sweaty, because it was a warm day, you know, and…”

“And?”

“And I wasn’t able to hold on! I was pulling him up when the first aftershock hit. And he… he just slipped loose. There was nothing I could do.”

“You witnessed Shane’s death?”

“…Yes.”

“How did that make you feel?”

“Are you kidding me right now?! I felt awful! I still do!”

“I see… tell me, Ms. Asano, did you resent Shane?”

“I don’t understand what you mean. Why would I resent him? He was just a kid.”

“Yes, he was. And how was Shame related to you, Ms. Asano?”

“You know. He was my nephew.”

“You have no siblings, Ms. Asano.”

“Well… he was kind of my nephew, okay? Not a blood relative, but he’s, he was, my best friend’s son. He called me Aunt May, like he was Peter Parker or something.”

“I see. And who was his father?”

“Oh, God, you want me to air all my dirty laundry?… okay. His father was my ex-husband. That’s why the kid and I have, had, the same last name.”

“You divorced your husband 11 years ago, Ms. Asano. Shane was almost 12 when he died.”

“I divorced Gareth when I found out he’d been having an affair with Gail for years, and that Shane was his bastard. But, you know, Gail’s still my best friend. Shane was family.”

“I ask you again: given the circumstances of his conception and birth, did you resent Shane Asano?”

“Hell no. Why should I? He was just a kid. It wasn’t his fault.”

“But you resented what his parents did to you.”

“Of course I did. I’m only human, and they flayed my soul open. But I wouldn’t hurt Shane. What are you getting at?”

“Just clearing up a few things, Ms. Asano. Now, here’s something I don’t quite understand: why did his parents let you take Shane to West Hollywood, clear across town from where you all live, with no supervision? Can you clarify that?”

“I told you, we were family. Gail is still my best friend, and I’m still friendly with Gareth.”

“You just said you resent them both. That they flayed your soul open.”

“I did resent them, but I got over it years ago. I don’t like where this conversation is going, Detective.”

“I don’t care. By the way, did you know Shane was afraid of heights, according to his mother? She claims he would never have gotten up on that railing the way you describe.”

“What the hell does she know? Was she there? No. He did it.”

“Mmmhmm. Do you know what this is, Ms. Asano?”

“That folder there? No idea.”

“This is Shane Asano’s autopsy report. It raises a few very interesting questions. For example: according to the medical examiner, the first three fingers of Shane’s right hand were forcibly broken immediately before he fell to his death.”

“How can they even tell that? I mean, even if it’s true, I don’t understand what that has to do with anything.”

“It suggests to me that Shane was holding tightly onto the rail of the observation deck until someone pried his fingers off of it, one by one.”

“That’s not the way it was! Maybe he broke his fingers when he broke my arm!”

“Uh huh.”

This goddamn cop! I’m telling the truth. I did my best to save Shane. I can’t stop thinking about it. I remember that I didn’t pry Shane’s hand off that gritty, rusty rail, finger by finger; I remember the all-encompassing pain as fat little Shane grabbed my arm, screaming, and broke it with his weight as it slammed down on the rail; I remember grabbing the wadded conglomeration of my left hand and both his hands with my right hand, and pulling hard, hard enough to make something in his hands or something in my arm go crack; I remember him trying to crawl his way up my arm, pulling me down over the rail toward the fatal drop; I remember the slick pudginess of his hands; and I especially remember the awful weight of gravity dragging us down; and then I remember the tremendous vibration of the aftershock shivering our hands apart, until my body just gave up on Shane —

And I remember my eyes following him all the way down. Down and down. And how in the aftershock of it all, I felt nothing. Nothing at all.

No sorrow. No regret.

“I need to go.”

“Ms. Asano, please sit back down. We’re far from done here.”

No horror. No joy. No guilt.

“I need to go. I’m leaving now.”

“Ms. Asano — ”

I’m empty. Hollow. That’s the worst part. Worse than watching my Shane fall 39 stories, until he made a bloody exclamation mark on the pavement.

He fell down, down to the hard earth, and I felt — and I feel —

Nothing.

It was all just an accident. A horrible, horrible accident.

Wasn’t it?

                                                            *   *   *

Floyd Largent is a former archaeologist who never woke a sleeping god or unearthed an ancient evil (alas). In the past year or so, he has published or had accepted for publication six poems and 31 short stories, in venues including Altered Realities, Bewildering Stories, Bullet Points, Chewers, CommuterLit, Harvey Duckman Presents, Not One of Us, Masticadores International, Revolving Door II anthology, and more.

The Chilton River Nuclear Power Plant Disaster

 

sky industry sunrise river

By Arthur Davis

Lauren Bennett Channing was panning for gold at the mouth of the Chilton River Delta in southern Arizona near the Tennessee border. The twenty-four-year-old ex-part time nurse from a wealthy Boston family had been panning for ten minutes when she noticed a massive structure in the distance.

At first, she hesitated. It was just 10 a.m. and she hadn’t had breakfast or coffee because she had run out of both yesterday, her second day panning. Trying to remain inconspicuous, she had rented a small trailer with minimal amenities and was woefully unprepared for the undertaking.

 She scrubbed the dirt from her cheeks and squinted. It was the Chilton River nuclear power plant, abandoned last year, already collapsing from neglect.

To the south was a herd of rare spotted bison. Maybe two hundred of them grazing off citrus ferns that were abundant in this part of the northwest. She knelt down, resuming her panning in the hope she would find the gold described in a map she had bought online from Craigslist. The map was perfectly aged, smudged, torn, topologically detailed, and had cost her $2.37, which she had borrowed from her grandmother’s Hermès Birkin prototype purse owned by Jane Birkin, which sold for $10 million in 1995.

*

“Are you stealing money again, child?” his grandmother’s bodyguard asked weeks earlier, disappointed with the young girl’s behavior.

“No. Certainly not. I’m taking a course online on how to evaluate antique women’s purses from the late Victorian age.”

Her grandmother walked into her bedroom, noticed her bodyguard’s drawn 9mm Heckler & Koch, considered the excuse, and turned back to her study where reruns of cage fighting were running on her black and white television. She adored Lauren and was sympathetic to the young woman’s strange, though thankfully not self-destructive, idiosyncrasies.

Lauren had been a nurse for a few months some time ago, an excellent one worthy of promotion, but after a few intensive weeks recognized that she was not a warm, sociable caring soul. The idea of helping sick, smelly, socially incompatible dying strangers really wasn’t something she wanted to spend her life doing.

Rendering aid to strangers was an alien concept to her, as well as to her generation.

*

The wind started to roll down the small valley, and it was not quite noon. She had been warned about the unpredictably deadly gusts that could thunder down the valley floor, reaching speeds approaching sixty miles an hour. There were scattered signs along the narrow gorge that posted these kinds of warnings. In a fit of youthful arrogance she decided they were wrong, purposely misinforming the public just to scare people away from panning this part of the river.

She swirled another panful of water and soil in the dollar pan she had bought at the Chilton General Store a few feet away from where she was panning. The eight-story store was massive, with a hotel and two restaurants which had a month-long waiting list.

*

Lauren wealth was deeply imbedded in several impossibly complex trusts. Really obscenely wealthy as the only grandchild of Natalie Brownsten who started Known Industries, which specialized in telling people the truth online about things, people, history, events, and a broad spectrum of social, economic, and political and scientific realities.

She knew about the tall, posted warning signs and the two-dollar fee for panning in a restricted animal crossing zone. There were “No Panning” zones covering deer, frogs, chipmunks, moose, zebra and alien crossings. She shrugged them off. Another inconvenience she hadn’t the patience to consider.

She ignored the advice of the other campers in the trailer park that the Forest Rangers were dedicated to protecting the greater part of the valley and known to shoot panners who couldn’t present the $2 crossing fee certificate.

*

Lauren worked another few panfuls with renewed energy and focus. She enjoyed the rhythm of the process, the excitement and possibility of striking it rich making her independently wealthy when she looked up and noticed two sheep. Just not any sheep, and a tall, dark stranger standing nearby. He was over six feet, with broad shoulders, week-old stubble and deep iridescent eyes that took her in an instant. The Forest Ranger was holding two green sheep on a heavy leather leash.

“Ma’am,” he began, slinging his rifle off his shoulder, “do you have a license to pan this close to a collapsed nuclear facility and multiple crossings?”

He was distractingly handsome, with sleeves rolled up to his elbows, revealing thick, powerful forearms that sent chills down her back. She knew she had been caught. Green sheep were irradiated creatures from the neglected power plant. Somehow the sheep were immune from the cellular destruction of radiation and genetically turned from pale white to pink and finally, to mint green.

“You read the warning signs?”

Lauren struggled for a response as her heart nearly thumped out of her chest.

The ranger, now clearly annoyed, pointed his rifle toward the flashing six-by-six-foot sign that warned “Alien Crossing.”

Lauren saw the red flashing sign before she began to pan. She noticed it yesterday too. Born and raised in New York City, she couldn’t recall ever seeing such a warning on Fifth, Madison, or Park Avenue. She knew there were other avenues, further east in Manhattan, but those were in the gang-controlled, rat-infested, police corrupted slum-scattered part of the city where her parents forbade her to go.

Stunning as he was, she could feel the panic overtaking her body.

There was no place to run or hide as the Ranger slowly advanced on her, so she stood with cunning arrogance, dropped her tool-laden vest and unbuttoned her sweat-soaked shirt, revealing a set of breasts that immediately immobilized the ranger. She stood, hands on her hips exposed for about ten seconds before he genuflected and apologized for bothering her. He pivoted away while the two green sheep remained paralyzed with what they were watching then, reluctantly, turned away emotionally disheartened and spiritually broken.

The wind was picking up. Lauren stood. She was hungry, thirsty, and disappointed. “This shit is going to take forever,” she quietly admitted to herself while removing her custom gloves, carefully examining her day-old, manicured nails.

“Fifty dollars with an obscene tip, and my polished nails are already cracking.”

She turned her hands over, palm up. Soft. Resilient. Remembering when she had last been with a man. The thrill of being touched and touching in a crazed evening with her therapist, Dr. Mason Longstreet, before her new career of gold panning began.

Relieved the Ranger backed off, she soaked the sweat from her brow with a hand-painted Japanese silk handkerchief she had purchased as a birthday present to herself last year.

The day after, she returned to the same expensive Madison Avenue boutique on Fifty-Seventh Street where she stood at the same counter as the same manager wrapped the fifteen-hundred-dollar gloves in several layers of expensive gift wrap buried in two boxes.

“The gloves, can I use them for gold panning?”

“The Gleeson & Downey hand stitched gloves? Yes. Of course,” Sylvia Hutchenson, said unable to hide her annoyance, showing Lauren the pink tag attached to the gloves that clearly noted they could be utilized for rock climbing, mining, gold panning, calligraphy, most minor surgical procedures, and every kind of sexual activity.

“Excellent,” Lauren said, thanked the clearly annoyed manager, and slipped out of the store and into the back of a waiting stretch Mercedes-Maybach.

Oliver, her driver turned, “Ms. Lauren, where to?”

“The Chilton River Delta, of course,” she said, bothered because she had already informed her friends and family that she was taking a few years off to pan for gold.

Lauren sat back, relaxed into the butter-soft leather seat, fingered two perfectly aged Chips Ahoy Chocolate chip cookies from a nearly empty box, sipped at a goblet of chilled 2020 Château Lafite Rothschild, and knew it was time to change her name to Isabella Lowenstein, III.

                                                         *   *   *

Arthur Davis is a retired Wall Street trained management consultant. He has been quoted in The New York Times and in Crain’s New York Business, taught at The New School and interviewed on New York TV News Channel 1. He has advised The New York City Taxi & Limousine Commission, the Department of Homeland Security, Senator John McCain’s investigating committee on boxing reform, and testified as an expert witness before the New York State Commission on Corruption in Boxing. His work has been published in numerous journals as original and reprint fiction. He was featured in a single author collection, nominated for a Pushcart Prize, received the 2018 Write Well Award for excellence in short fiction and, twice nominated, received Honorable Mention in The Best American Mystery Stories 2017. More at www.talesofourtime.com, Amazon Author Central and the Poets & Writers Organization.

The Last Passenger

crowded train station with commuters

By David Jonson

At exactly 11:43 p.m., the final train left Westbridge Station.

No one used that line anymore.

The city had grown eastward, abandoning the old industrial district where rusted factories stood like giant skeletons under the moon. But the train still ran once each night—more out of bureaucratic stubbornness than necessity.

David Mercer boarded because he had no choice.

He clutched a weathered leather satchel against his chest and checked over his shoulder for the third time.

No one.

Still, the sensation of being followed clung to him like damp cloth.

The train doors hissed shut.

Inside, the carriage was almost empty.

A woman in a gray coat sat near the far end, knitting without looking up. A teenage boy slept with headphones around his neck. An old conductor shuffled through the aisle punching tickets, though the machine in his hand looked older than David himself.

“Last stop?” the conductor asked.

“Yes.”

The old man punched the ticket.

Then paused.

His cloudy eyes narrowed.

“You shouldn’t be carrying that.”

David instinctively tightened his grip on the satchel.

“It’s just papers.”

The conductor stared too long.

Then moved on.

*

David exhaled.

Inside the satchel were documents worth killing for.

Three months ago, he had worked as a financial analyst for Harrow Biotech, a company publicly praised for humanitarian medicine and private philanthropy.

He had discovered something else.

Trial records.

Deaths buried in spreadsheets.

Bribes hidden beneath shell accounts.

Illegal experiments conducted in impoverished settlements where no one asked questions.

He had copied everything.

Tonight, he was heading to meet a journalist at the abandoned district’s central terminal.

If he made it.

The train rattled deeper into darkness.

Station lights blurred past like brief ghosts.

Then the carriage lights flickered.

Once.

Twice.

Gone.

Blackness swallowed everything.

The train continued moving.

Metal screamed against tracks.

Someone stood up.

David heard footsteps.

Not one pair.

Several.

He froze.

A low voice whispered from the darkness.

“Give us the bag.”

His pulse hammered.

He lunged sideways just as something sharp slashed through the air where his throat had been.

A blade.

He hit the floor.

The satchel slid from his grip.

Hands scrambled.

Boots thundered.

The teenage boy—who had been sleeping—was suddenly awake, wrestling with someone near the aisle.

Not a passenger.

An attacker.

The knitting woman moved faster than a striking snake. Something metallic flashed from her sleeve. A grunt. A body collapsed.

The train lights returned.

Chaos.

Three masked figures in black clothing.

The boy had one pinned against a seat.

The woman stood over another, her knitting needles buried in his shoulder.

The third held David’s satchel.

He sprinted toward the rear door.

David chased him.

The carriage bucked violently.

He slammed into poles, seats, steel edges.

The masked man reached the final platform between cars.

Wind shrieked through cracks.

He kicked open the maintenance hatch.

Cold night air exploded inside.

The man climbed out onto the narrow external ledge while the train screamed over elevated tracks.

Madness.

But David followed.

Rain had begun.

Steel slick beneath his shoes.

The city below was a black canyon of roofs and abandoned roads.

The thief crawled across the outer rail toward the next carriage.

Satchel slung over one shoulder.

David lunged.

Caught his ankle.

The man kicked viciously.

Boot struck David’s jaw.

Stars burst across his vision.

His fingers slipped.

Then another hand seized his wrist.

The teenage boy.

He had climbed out after him.

“Don’t let go!” he shouted over the roar.

Together, they pulled David back.

The masked thief scrambled higher.

Nearly free.

Then something pierced his hand.

A knitting needle.

The gray-coated woman stood half outside the carriage, balanced like a dancer.

The thief screamed.

Lost grip.

Fell.

His body vanished into darkness.

The satchel tumbled after him.

“No!” David shouted.

He watched his evidence disappear into the black.

Everything.

Gone.

*

They climbed back inside.

The remaining attackers had been restrained.

The old conductor stood calmly beside them, holding a revolver that looked even older than his ticket punch.

David stared.

“What is happening?”

The woman removed her gloves.

The teenage boy peeled off an earpiece.

Neither looked remotely surprised.

The conductor sighed.

“We were wondering when they’d make a move.”

David blinked.

“Who are you?”

“Internal Oversight Division,” said the boy.

David laughed once—a hollow, disbelieving sound.

“You’re a child.”

“I’m twenty-six.”

The woman added, “Disguises are useful.”

The conductor tapped the revolver.

“So is age.”

David’s throat tightened.

“You knew?”

“We knew someone at Harrow copied files,” said the woman. “We also knew Harrow hired mercenaries to retrieve them.”

“And you let me board a train as bait?”

Silence.

That was answer enough.

Rage flared hot and sharp.

“My evidence is gone.”

The boy smiled faintly.

“No.”

He reached beneath his jacket and pulled out an identical leather satchel.

David stared.

“The one you carried?” the boy said. “Decoy. Swapped it when the lights went out.”

David opened it.

Documents.

Drive.

Records.

Everything.

His knees nearly gave way.

He sat.

Shaking.

Laughing now for entirely different reasons.

“You could’ve told me.”

“And risked your reaction?” said the conductor.

Fair point.

The train began slowing.

Ahead, lights glowed through rain.

Central Terminal.

The abandoned district.

Final stop.

*

They disembarked onto a platform slick with water and silence.

The city beyond looked dead.

But a single lamp burned near the old station office.

Beneath it stood Eva Keene, investigative journalist, coat flapping in the storm.

David had made it.

He walked toward her.

Then stopped.

Something was wrong.

She was smiling.

Too calmly.

Too knowingly.

Behind her, shadows moved.

Armed silhouettes.

More than six.

The woman in gray swore softly.

“Compromised.”

Eva raised a pistol.

“I’m sorry, David. Harrow pays better than newspapers.”

Betrayal hit harder than fear.

The conductor lifted his revolver.

Gunfire erupted.

Glass shattered.

Bullets screamed.

David dove behind a stone bench.

The teenage agent returned fire.

The gray-coated woman disappeared into darkness like smoke.

Men shouted.

Bodies hit concrete.

Rain washed blood into thin red ribbons.

David crawled.

Not away.

Forward.

Toward Eva.

She searched for targets, unaware of him beneath the fog of gunfire.

His fingers found a loose iron spike near a broken railing.

He stood.

Drove it into her wrist.

The pistol fell.

She screamed.

He kicked it away.

The boy tackled one gunman.

The conductor dropped another.

Then silence.

Only rain.

Only breath.

Only the hiss of cooling steel from the resting train.

*

At dawn, police sirens filled the district.

By noon, Harrow Biotech’s stock collapsed.

By evening, arrests spread across three countries.

Executives disappeared in handcuffs.

Board members resigned.

Names once untouchable became headlines.

David sat alone on a station bench as sunlight touched rusted tracks.

The woman in gray approached.

No knitting now.

Just tired eyes.

“You did the right thing.”

He looked at the rails.

“People died before anyone listened.”

“Yes.”

“That doesn’t feel like victory.”

She sat beside him.

“No. But sometimes justice arrives late on ugly trains.”

For the first time in months, David let go of the satchel.

And watched the morning come.

*   *   *

David Jonson is an emerging writer with a passion for storytelling that explores the depth of human emotion, resilience, faith, and the complexities of everyday life. His work often weaves suspense, reflection, and moral insight into compelling narratives that aim to both entertain and provoke thought. Drawing inspiration from real-life struggles, historical events, and the enduring strength of the human spirit, he enjoys composing fiction and creative works that are emotionally rich and impactful.

Based in South Africa, David continues to develop his voice as a writer while exploring stories that combine tension, compassion, and truth. He believes literature has the power to highlight hidden struggles, inspire courage, and connect people across different backgrounds and experiences.

The Cruelest Month

wild plants in forest

By Carolyn R. Russell                                                                                                      

I stumble out of the rain on one of those cold late April afternoons that seems to only happen in New England and into the veterinary office with Lucas, my five-pound pup, who shivers in my arms while gnawing on a long strand of my wet hair. The crowded reception area is filled with anxiously fidgeting humans and distressed pets. The people are no doubt worried about the fact that the clinic usually closes at noon on Fridays, and it is now half past one. The place won’t open again until Monday and I’m guessing nobody wants to risk needing to go to the expensive, anonymous emergency care hospital in the city. The cats and dogs look demonstratively miserable, pets sick enough that everyone here is willing to stay late for their evaluation.

I check in with the front-facing staff and I am, as always, touched by their empathy. One of them, a freckle-faced woman with sea-green eyes, gives Lucas a shiny smile that falters as her eyes meet mine. She hands me a Kleenex and I wipe the rain off my face. Or maybe they’re tears.

They call Lucas’s name and he looks into my eyes the way he always does, like he can see into my soul. We follow a vet I haven’t met before who tells me to call him Arlo. The room we enter is filled with shiny metallic surfaces. Looking at them makes my headache worse and I feel too wretched to be chatty. Lucas’ head is now pressed against my ribcage, his nose in the armpit of my cardigan and he’s shaking. I comfort him as I respond to Arlo’s questions, and he records my answers on a tablet. 

Arlo pauses and looks over at Lucas and me. In a soft voice he says, “So, besides the trembling, and the vomiting, and the other uncharacteristic behaviors you’ve mentioned, is there anything else?”

I ask if he has Lucas’ history in his files, and he says “Yes,” but he’d like to hear it from me if that’s okay. 

“You know that Lucas is a special needs dog,” I say.

“He has four limbs and five feet,” says Arlo. “That’s pretty special.”

I manage a grin. “Yeah. We had to get a purebred rather than a rescue because I needed a hypoallergenic dog. We went to visit with a breeder’s new litter and fell in love with Lucas, and the breeder tried to steer us toward other puppies for like 15 minutes. Then she showed us his bifurcated left foot and said she couldn’t sell him because of it, couldn’t vouch for his health. She ended up just giving Lucas to us. Wouldn’t take a penny.” I stopped.

“And….,” Arlo prodded.

“We, I, worry maybe more than I should about him because of all that. I don’t know. But I’m glad you’ll check him out.”

“Sure thing,” says Arlo.

I gently coerce Lucas into loosening his grip on my sweater and Arlo disappears with him into another room. I’m suddenly shivering and I look for a window to close, but there are none.

A bit later, Arlo comes back holding Lucas, who is pasted against his chest. Lucas’ eyes look dreamy, his body relaxed. I reach for him and he lurches into my arms and closes his eyes. Arlo asks me to sit down next to him on one of the scruffy chairs I’d been avoiding; their stained corduroy upholstery suggest a long, messy history. But I take a seat.

“Is he sedated?” I ask.

Arlo laughs. “No. I think he’s just tuckered out. I examined him, and Lucas seems physically fine.” 

I exhale a breath I didn’t know I was holding.

“If his symptoms persist, we’ll probably want to do some blood work. Possibly more. If it’s not an illness, though, it could be behavioral.”

I ask him what that term means when applied to a dog.

“Well,” says Arlo, “has there been any stress at your house lately?”

I can feel my face get warm and I nearly shake my head. Instead, I focus on the man’s kind eyes.

“It’s tax season,” I say carefully. “My husband and I have been going through a certain amount of … upset.”

“Ah,” says the vet. “I understand.” His voice is very gentle.

He leans forward. “Taxes,” he says and then pauses. “Taxes are hard. Sometimes it helps to bring in an expert, you know?”

I nod.

“My wife and I had one season when we thought we might lose our minds. We got help. We ended up needing to … take an extension, but it’s all worked out fine.”

“I’m so glad to hear that,” I blurt out. “Might you have a recommendation for a … professional?”

He fishes for his cell phone in his pocket, taps it a few times, and hands it to me. I take it and copy the information into my own.

“Thank you,” I say. “I’ll talk it over with my husband.”

Arlo stands up. “Do remember that if your husband isn’t immediately on board, you can go on your own. And then possibly he’ll change his mind, once he starts listening. That’s how it happened for me and Debbie.”

I shake Arlo’s hand maybe a few seconds too long and then Lucas and I leave. In the lobby, I pay the bill and after thanking the staff for staying late, we step outside. 

The sky has cleared. Lucas makes a familiar sound and I put him down on the artificial grass of the dog yard. He skips across it, lithe as always despite his wonky foot and hopping gait. Slipping through a hole in the fencing, he heads straight to an adjacent muddy area. He stops and as I get closer I can see he’s investigating a patch of newly blooming daffodils still glistening from the earlier downpour. He seems much better.

*   *   *

Carolyn R. Russell is a multiple Best Microfiction winner and multiple Pushcart Prize, Best of the Net, and Best Small Fictions nominee. Her short stories, poetry, and creative nonfiction have been featured in numerous publications. She is the author of four books, the latest of which is a collection of cross-genre flash called “Death and Other Survival Strategies” (Vine Leaves Press, 2023). She also writes for the screen and has a TV thriller series currently in development. Carolyn lives on and writes from Boston’s North Shore.  

Growing Vindication

dry conifer

By Julia Rajagopalan    

The corner of the hedge, nearest our driveway, is brown and dying. I know why. Twice a day, my neighbor takes her golden retriever for a walk, and every time he passes, he pees on it. I watch him do it from my office window on the second floor of my Tudor.

I love working from home. It cuts down on the commute and the office drama, but I do not like my neighbors.

I go online and purchase a little green sign that says, ‘Don’t Pee Here.’ There is a cartoon dog with a big red cross through it, like the no-smoking signs you used to see before the entire world banned cigarettes.

The next day, her dog pees directly on the sign.

I should talk to her, ask her nicely to stop, but the last time I spoke to her about the yard, she lectured me about native plants. She’ll claim that the hedge is dying because it isn’t native, and I need to rip the whole thing out and put in some weeds to save the butterflies or something.

I am not a petty person, but I’ve started taking my own walks. Every day I leave through the garage, and every day I plunge my hand into the container of rock salt, kept for the icy winter sidewalk. A paper cut on my thumb stings as it grinds against the salt.

Parked in her driveway is a forest green hatchback. On the back, clings a paw print bumper sticker. I wonder if I can find a bumper sticker for boxwoods. When I walk past her yard, I toss salt across the grass. I keep my hand at my side as I do, out of view of her doorbell camera. It reminds me of Bible study when they talked about salting the earth to keep anything from growing. I feel vindicated when I think of this. Instead of an eye for an eye, it’s a lawn for a lawn, and that is vindication and not vindictive. It’s funny how similar those two words are.

In less than a week, her lawn starts to brown. In two weeks, there are patches the size of my head. I start taking two walks a day and I wave to her as she watches me through her front window. I vary the times of my walk, but she’s always there watching. I don’t see them walk in front of my house anymore, but then again, I don’t sit in front of the window all day.

After a few months, she replaces the grass with fresh sod, though I don’t think the grass is native to this region. Still, it might be safe to replace my boxwood. I’ll do it as long as it’s not going to become a puppy urinal. I go to the nursery and locate the correct plant. Back at home, I hack at the dead shrub, cutting the roots with clippers when I can’t dig it out.

The new plant isn’t the right shape, but given the chance, it will be. As I dig through spreadsheets the next afternoon, I watch my neighbor walk past with her dog. He stops to sniff the new addition, and I’m sure she’ll pull him past, but she watches patiently while he decides. When he baptizes my new plant, I set down my pen and go to get the salt.

*.  *   *

Julia Rajagopalan is a writer of speculative and literary fiction who lives just outside of Detroit, Michigan, with her husband and their very grumpy dog. For a list of her publications, check out her website: http://JuliaRajagopalan.com.

Noble Rot

rocky surface on ground

A Memoir By Zary Fekete

The walls of the wine cellars in Tokaj, Hungary, are not built of stone alone. They are upholstered in Cladosporium cellare, a soft, black velvet mold that feeds on the alcohol vapors escaping from the oak barrels. To walk through these damp, quiet tunnels is to breathe in the metabolism of time…a scent of earth and old transformation where decay is not a failure of the system, but the infrastructure itself. 

Above the cellars, in the late October vineyards, a productive paradox begins under the insistent sun. We are looking for Botrytis cinerea: the Noble Rot. In any other context, a fungus that turns a plump, translucent grape into a grey, shriveled, unsightly raisin would be a catastrophe. It is the visual language of failure: the skin punctures, the water evaporates, and what remains is a concentrated, sugary corpse of a fruit. But in the hills of Tokaj, they have learned to harvest the shriveled. They have learned that if the mist settles on the Bodrog river just right, the rot does not destroy the sweetness; it distills it. 

The science of Botrytis is a lesson in precariousness. The fungus is a delicate opportunist. If the humidity remains too high for too long, the Noble Rot turns into “Grey Rot”…a common thief that consumes the sugar and leaves the grape sour and useless. Noble Rot, however, is a collaborator. It punctures the skin just enough to let the water out, while keeping the acids and sugars trapped inside. 

This process creates what one might call “difficult sugar”. In an industrial vat, sugar is often a granular additive, a cheap high used to mask bitterness. But in the Tokaj Aszú, the sugar is the result of an ordeal. It is the sweetness of survival. When the Aszú berry is finally pressed, it does not pour like wine; it moves like oil. The taste is not “sweet” in the way a child understands candy. It is a map: first comes the apricot and honey of the sun, then the ginger and orange peel of the transformation, and finally the earth…the taste of volcanic soil and the black mold of the cellar. It is a sensory argument that beauty requires a period of darkness. 

In viticulture, the “finish” is the length of time the flavor persists after you have swallowed. A great Aszú lingers for minutes, evolving from honey to tobacco to stone. It is an exceptionally long finish. 

Lately, as I look at Hungary in this spring of 2026, I find myself thinking about that finish. For a long time, there was a fear that our shared hardships were not “noble,” but merely “grey”…a slow, fungal rot that consumed without creating. We felt the skin of our civil discourse becoming thin and papery; we felt the water leaving the fruit. But as the air begins to vibrate with a new, quiet intensity, it seems we were simply undergoing a slow fermentation. We are learning that a culture, like a wine, cannot be sweetened from the outside with cheap additives; it must be concentrated from within, through the slow evaporation of its own illusions. We have endured the shriveling, and we are left with the lingering taste of a rot that refused to stay bitter. 

      *   *   *

Zary Fekete grew up in Hungary and currently lives in Tokyo. He has a debut novella (Words on the Page) out with DarkWinter Lit Press and a short story collection (The Written Path: A Journey Through Sobriety and Scripture) out with Creative Texts. He enjoys books, podcasts, and many many many films. Twitter and Instagram: @ZaryFekete Bluesky:zaryfekete.bsky.social

Save Room For Epilogue

napkin on empty plate

By Daryl Rothman

“From women’s eyes this doctrine I derive:
They sparkle still the right Promethean fire;
They are the books, the arts, the academes,
That show, contain and nourish all the world.”

Shakespeare~

“Ah,” the man said, glimpsing the placard adorning the restaurant door. “Fitting.”

They were comfortable, but it still was not often he took his family out for a nice meal. Prices had gotten so steep–ironic, if you thought about it. Soaring food costs had been among the chief culprits in the Global Famine (GF, to which it was now most commonly referred). The year was 3024 PGF (Post Global Famine). For kids, the famine was but a distant specter of a world long gone, something studied in mandatory GF courses in school, something to which their parents sometimes referred in hushed tones, but not really affecting them tangibly. But there was a danger in failing to heed lessons of the past, the man knew. It really hadn’t been that long ago. He shook his head, recalling the solemnity with which his grandparents would speak of the matter when he was young, citing the solemnity of their grandparents, and so on, before them.

“Here, dear,” his wife said, placing her hands under his head, which had lurched precariously to one side. “Let me.” The man smiled at her, while lamenting the irony—-he knew better than to shake his head, especially without his neck halo. His wife wore hers, as usual. Children were required by law to do so. Life without halos, people who walked on their own two feet instead of buzzing around in zip carts, teeth that were more than mere vestigial remnants–these were but vestiges of that ancient history, before the GF and before bodies had atrophied and brains and heads swelled to disproportionate degrees. Of course, it didn’t seem disproportionate now; this was simply the way things were. But the man recalled the wonder with which as a child he’d read and seen photos of pre-GF humans, the wonder with which his own children did so today. Hard to fathom, such times. When food was the prime source of nourishment. Owing to an extraordinary mutation, a sliver of the world’s population had been able to survive the famine, coming to rely upon the written word rather than food and water for sustenance. Yet even among those gifted with the mutation, in time it became mostly the very wealthy who could afford literature. There were always the bootleggers, the black market. But as was the way of things, segments of the new world stratified out as the centuries passed and many descendants of wealthy ancestors saw their own fortunes ebb and in some instances even became destitute. There had been wars and rebellions and strife, and it was not lost upon the man that their world might always be on the brink.

His head now firmly re-centered, the man sloughed off his momentary embarrassment, opened the door and shepherded his family inside. Ollie, their eight-year-old son, clipped the doorframe with one of his wheels. His sister Xenia, three years his senior, rolled her eyes before sailing smoothly past. His wife touched his arm lightly and smiled at him as she rolled past.

“Greetings!” The nattily attired maître d’, a wisp of a man with an even wispier moustache, rolled up to them. His head lolled atop his pencil frame like an animated candy apple. “Have you reservations?” 

“Good evening,” the man said. “We do. The Baroques. Four.”

The maître d’ executed a slight bow, more of nod, really—-he was halo-less, naturally, this being such a reputable establishment, so a full bow was out of the question. “Excellent,” he said, scouring a tablet. “Ah, here we are. Right this way.”

After they were seated, a waiter approached and gingerly placed tiny scrolls of paper into their saucers. Ollie regarded his quizzically. 

“Kind of like a prologue,” his mother explained. “It’s like an appetizer I suppose. A little something before the main course.” Ollie unrolled his paper excitedly.

“Thy ambition,” he read. “Thou scarlet sin, robb’d this bewailing land.” His father smiled.  His boy was a good eater, and why not? —-he had been voracious from the moment he left the womb. He picked up his menu and gulped at some of the prices. Yes, it was a nice place, but even the children’s meals were exorbitant: one order of three Hemingway shorts ran 5,000 credits. 

“Can you believe this?” he asked his wife. She regarded him plaintively.

“Please, dear. We never get out. This isn’t a speed-reading restaurant.”

He hmphed. The waiter returned and spoke in effusive tones about their specials. Shakespeare. Joyce. 

“How much?” the man inquired. His wife looked away.

They would not be getting the specials. The man ordered a Great Gatsby, his wife Sense and Sensibility, their daughter The Sound and the Fury, and their son (after lobbying unsuccessfully for a full novel), an order of Tolstoy micro fiction. The man, considering himself well-fed, expressed surprise that the Russian master had dabbled in such media. “We took a few liberties,” the waiter acknowledged quietly. “It’s morsels from edited-out sections of War and Peace.” The man hmphed again.

“So,” inquired the mother of her children, “anything interesting at school?”

“I dunno,” mumbled Ollie. Xenia groaned.

“You never know,” she said.

Ollie didn’t look up from his appetizers. “So?”

“Now, now,” said their mother. “Manners, both of you. We are Baroques, after all. What about you, sweetie?”

Xenia leaned forward and spoke in hushed tones. “I’m worried about Lanie,” she said, glancing furtively about to ensure no eavesdroppers. “We think she’s developing a reading disorder. She’s so thin.”

“Oh my,” said the mother. “I am sorry to hear that. Is she getting help?”

“She won’t listen,” Xenia insisted. “She thinks she looks good. Wants to impress Gordy, you know.” She shook her head. “But she’s a waif. We can’t get her to read.”

“BOR-ING.” 

“Shut up!” Xenia told her brother.

“That’s enough,” their father said. “Both of you.”

Their meal arrived. Ollie sat up, wide-eyed, licking his lips.  “Start with the lens closest on our left,” the mother reminded her children. Most meals were of course consumed via tablet, plasma, or touchscreens of one form another-—this was fine dining, however, and their selections were served in classic hardback. Most people’s eyes were unaccustomed to book consumption, plus the lighting was dim, so the provision of reading lens tableware was standard fare at any reputable establishment. Each of them plucked up a lens and started in.

“Not so fast,” Xenia admonished her brother, who was flipping pages frantically. “You’ll get indigestion.” Ollie stuck out his tongue in protest, but a loud burp escaped, and his family twittered. 

“Don’t read too much,” the mother suggested. “You should save room for epilogue.”

When they finished, the waiter wheeled up the dessert cart: Dostoyevsky, Eliot, Salinger. A fancy selection of fables. “Did you save room?” he inquired hopefully. He held up The Brothers Karamazov before the man. “A very fine vintage. Barely read. Take in the bouquet.” 

The man smirked. “The Brothers Karamazov, for epilogue? Good God, man, we’re not gluttons.” He folded his arms, but couldn’t escape his children’s beseeching stares. “Maybe we can share a few things,” he finally said. The waiter grinned triumphantly.

  “Dad,” Xenia lamented after their order was placed. “Really, share?”

“We’re not made of money, young lady.”

Xenia sat back and folded her arms. “It’s not that. But now we have to all scoot up next to each other. It’s embarrassing.”

“Here, here,” said the mother. “Not necessary. We’ll all read a few bites at a time, and pass it.”

After their epilogue—-at one point during which Xenia had to snatch the tablet from her brother, who she insisted was reading more than his share–the man wiped his lens with a cloth and exhaled. He was very full. He summoned their waiter. “We’ve marked our spots–please pack up the leftovers.” His wife regarded him.

“Dear,” she said.

He turned to her. “Did you see the bill? Besides, I might want to read a bite before bed.” His wife looked down. 

The waiter extracted a wand from his jacket and scanned it over each of their meals. Ollie snatched up one of the scrolls which had lodged under his plate, and quickly consumed a last few unread morsels. Xenia covered her face. The unread portions of each meal fluttered out as the wand crossed, and the waiter scooped them up and neatly arranged them in to-go sleeves. The man nodded his thanks and extended his wrist. The waiter passed the wand over, the man’s credit implant registered with a beep, and the waiter looked away politely as the man grudgingly punched in his gratuity. They took their leftovers and wheeled out of the restaurant.  The man shook his head—-carefully—as he pondered just how expensive it was to feed a family these days. Times had sure changed.

*     *     *

Daryl Rothman’s YA/Fantasy novel, The Awakening of David Rose, was released by Evolved Publishing, September 9th, 2019, and was a winner in the Best Young Adult Fiction category for Pinnacle Book Achievement Awards. First in a series of three, it was inspired by (and the protags named for) his children, and the protective relationship between them. Daryl has written for a variety of esteemed publications, including Men With Pens, KM Weiland, CS Lakin, Carol Tice, Joanna Penn, Problogger and more, and recognitions include Flash Fiction winner for Cactus Moon Press, Flash Fiction second place winner for Amid the Imaginary, and Honorable Mention for Glimmer Train’s New Writer’s Short Story Award Contest. 

Book II in the David Rose Series debuted Sept. 26, 2022, and Gospel, a literary-suspense novel, released in November, 2024, was a finalist for Feathered Quill’s Book Awards for Adult Fiction.

You can learn more about Daryl’s work on his website at  DarylRothman dot com or his FB Author page at Author Daryl C Rothman.